when you fly back and forth twice a week for ten years from Las Vegas to Burbank and work on the CSI franchise as your first television script there’s a lot of pain involved, so I’ve pretty much put the pain and pressure and stress into my art, which is things like Dark Origins and Dark Prophecy . . . I think in terms of Sqweegel the forensic-proof killer a lot of it has to do with law enforcement giving me a hard time about giving away secrets to people on CSI about getting away with things. It gave me the idea of “what if i made a forensic-proof latex suit for a villain who was a contortionist,” and see if CSI can catch that guy.